Catalytic Sound Festival 2020: Day 1
"All proceeds raised will go to Black Futures Lab (blackfutureslab.org). "Black Futures Lab works with Black people to transform our communities, building Black political power and changing the way that power operates—locally, statewide, and nationally. The problems facing Black communities are complex. The solutions to these problems will come from our imagination, our innovation, and experimentation. Changing our communities for the better requires changing a culture that takes Black people for granted and changing policies and laws that make us criminals and keep resources from our communities. To get there, we work to understand the dynamics impacting our communities; we build the capacity of our communities to govern; and we engage and include Black people in the decisions that impact our lives. There are three ways that Black Futures Lab is a different kind of project for change: our mission to engage the Black community year-round; our commitment to use our political strength to stop corporate influences from creeping into public policies; and our plan to combine technology and traditional organizing methods to reach Black people anywhere and everywhere we are.""
Catalytic Sound Festival 2020: Day 2
"All proceeds raised will go to Assata's Daughters (www.assatasdaughters.org), "a Black woman-led, young person-directed organization rooted in the Black Radical Tradition which organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services. Through their programs they aim to Deepen, Escalate, and Sustain the Movement for Black Liberation.""
Catalytic Sound Festival 2020: Day 3
"All proceeds raised will go to the Fendika Cultural Center (fendika.org), which "celebrates and renews Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world. Our vision for Fendika is to continue to nurture the artistic community in Addis Ababa, and to grow into one of Africa’s most vibrant centers for artistic innovation and cultural exchange grounded in rich Ethiopian heritage. Funds raised from this campaign will help Fendika pay for basic survival salaries for 33 employees of Fendika, and Fendika Live concert production costs: artist fees for musicians and dancers who perform during Fendika Live concerts that are streamed online, payment for the camera crew for us to stream high-quality programs, transportation costs for artists and camera crew to travel to and from Fendika (They all need to travel by private, contracted cars, as public transit is becoming too risky), monthly wifi cost so we can keep streaming music and other programs.""
""The sound and mood paired with titles and cover art referencing religious iconography (common across many Lopez releases) places this in a similar camp as the eastern-tinged meditative psychedelia of the aforementioned OM and turn-of-the-millenium Roy Montgomery." - Keith Prosk"