Pairs of Three
"“Pairs of Three” is the debut album of Paal Nilssen-Love’s new band: Circus. Of course, in the area of music that Nilssen-Love (freely) moves in having a new act isn’t always big news (however good the music is), and at first glance this new act could look like a smaller scale off-shot from the now well established Large Unit flagship – perhaps a spontaneous side-project to explore some ideas discovered within the mothership – it certainly wouldn’t be wrong to assume this, as the majority of the members in Circus have served or currently serve time within the ranks of Large Unit. And that would have been a totally welcome and enjoyable addition to the ever-expanding world of Large Unit."
50% Off Bundle: Ana & AM/FM
"This album bundle includes two CDs--Ana and AM/FM--by Large Unit and Paal Nilssen-Love & Anders Hana."
New Japanese Noise
"For the 2018 edition of the Roskilde festival in Denmark Paal Nilssen-Love was asked to put together two special projects. Nilssen-Love chose to put together two groups: The first was a Brazil-based band. The second was a Japan-oriented band, bringing together three giants of Japanese free jazz and noise music for the first time: Saxophone player Akira Sakata is the biggest legend of them all — since the 60s Sakata has left a permanent mark on Japanese music. With more than 200 recording credits to his name Sakata first made his mark with the Yosuke Yamashita Trio, and then over the years has gone on to numerous projects. Noise artist Kohei Gomi is best known for his Pain Jerk project, which since its foundation in the early 1990s perfectly encapsulates the classic Japanese noise sound, but also exhibiting a clearly personal style that has evolved over the years. Toshiji Mikawa has as the leader of his Incapacitants project since the early 80s shown an absolutely uncompromising dedicating the craft of pure noise music. Paralell to this he has been a member of the equally seminal Hijokaidan band. Very few artists in the field of noise music enjoys the kind of respect Mikawa does. To make a link to the other Roskilde project Nilssen-Love also added Brazilian guitarist Kiko Dinucci to the line-up, which of course shows the connection between the two bands, but also is a clear proofs of Nilssen-Love’s method of combining expressions and crossing musicial borders to kick the music forward. And with musicians from three continents it also shows that noise music is a global language. Play loud. "
New Brazilian Funk
"For the Roskilde project (now to become a steady band) he put together a Norwegian/Brazilian combination that proved to be especially potent: Bass-player Felipe Zenicola is a new figure on the scene of improvised music and is mostly known for his work with Chinese Cookie Poets. Guitarist Kiko Dinucci has been active the last years as a leader and songwriter of the group Metá Metá and has received noticeable recognition in Brazil and Europe. Then there’s percussionist Paulinho Bicolor, a rare figure in the Brazilian music scene, who adds a special ingredient to the stew: the Cuíca – which is actually a friction drum, but mastered by Bicolor in a completely idiosyncratic way. Paulinho is also a frequent guest with Nilssen-Love’s 15-piece band, Large Unit. Rounding off the line-up Nilssen-Love included what is his longest musical parter: Norwegian saxophone player Frode Gjerstad, a legend of Norwegian free improvised music who asked Nilssen-Love to play with him at the age of 16, a collaboration that now has lasted 28 years. The pair usually works in duo and trio constellations, so it’s a rare treat to hear such a solid musical pair as the gravitational center of this project. The “New Brazilian Funk” title can almost be read as tongue-in-cheek, as this really is not just free jazz on top of tropical grooves - this is the sound of five dedicated musicians coming together to make a completely new type of music. The Roskilde gig went down so well that not only is it being released on CD, it also became the birth of a regular group. "
Ken Vandermark & Paal Nilssen-Love
"This is Paal Nilssen-Love and Ken Vandermark's tenth album, and this time the duo have decided to look backwards at the last ten years of their career, although in a very unusual way. In collaboration with producer Lasse Marhaug they have gone through the numerous clips of live performances that exist on YouTube, unofficial documentation recorded and uploaded by members of the audience without the duo’s involvement. None of these clips were full concerts, neither were they recorded on professional gear, often containing artifacts that compresses and distorts the audio. The idea was to embrace the limitations of the format and to make a collage out of the material, but using only the audio and not the video from the recordings. By drawing inspiration from experimental cinema – especially the Structural film movement of directors like Michael Snow, Hollis Frampton and Tony Conrad – Marhaug set a rule of only 60 seconds from each clip should be used, and since the duo does not play short pieces the cuts would often be disruptive, cutting the music off in the middle of movements. The cuts were then assembled together not in a chronological manner, but rather what made sense musically, often jumping back and forth years in the process. The results was that this stylization doesn’t distance the listener from the music, but rather creates a viable document of activity, much in the same manner a film would - just with the screen off."
""On the albums third track, the trio demonstrates how tight they are. Their collaborative effort and responsiveness inside a vehicle running at full speed is very impressive." -Gustav Lindqvist, Free Jazz Blog"
"In the late 1990s, three young musicians in the Oslo jazz scene – Paal Nilssen-Love, Ketil Gutvik and Eivind Opsvik – hooked up with two legends – Carl Magnus “Calle” Neumann and Bjørnar Andresen. The project was named The Quintet and it was the meeting of two generations, with Neumann and Andresen passing the spirit of the 60s on to three musicians who would make their mark in the 2000s."
Song for the Big Chief
Joe McPhee & Paal Nilssen-Love
"In the introduction to the concert McPhee made the announcement that tonight’s performance would be in honour to the memory of one the great giants of free music [Sunny Murray]. True to Murray’s spirit this didn’t meaning playing a night of cover tunes, but creating new sounds and pushing the music into the future."