Four Images Of Wank

“Baker turns up the heat on the open-ended yet nuanced sonic journeys and his electronic sounds extend the manipulated cello sounds of Lonberg-Holm and the invented percussive techniques of Solberg. The improvisations are structured with a sense of tension, drama and dark humor, almost as cinematic images for a film made by some hyper-active species of aliens, using dissonant, noisy sounds as vocabulary of too enthusiastic courtship. Maybe Baker was right after all and Party Knüllers should have adopted his advise that ‘the music might arrive with fewer potentially self-disparaging description….'”- Eyal Hareuveni, All About Jazz