![Album: Consequent Duos: series 2c](https://www.catalyticsound.com/wp-content/uploads/consequent-duos-series-2c.jpeg)
![Ikue Mori](https://www.catalyticsound.com/wp-content/uploads/ikue-mori-1.jpeg)
Ikue Mori
Ikue moved to New York in 1977 and joined No Wave band DNA started playing drums. In mid 80’s started playing drum machines in the unlikely context of improvised music forged own sensitive signature style and involved in downtown improving community since. she has collaborated with numerous musicians and artists throughout the US, Europe, and Asia, while continuing to produce and publish her own music.
Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 1999 and shortly after started using laptop computer to expand her vocabulary not only playing sounds but create and control the visual work as well. Received grant from the Foundation for Contemporary Arts in 2006, Instant Award for improvising music in 2019. Named MacArthur fellowship in 2022. Recently working with Tracing the Magic project with various musicians from NY and Japan and new works of Phantom Orchard with Zeena Parkins and music for Joan Jonas’s performance pieces.
Discography
Crustal Movement
by Kaze & Ikue Mori
House of Vines [CAA-023]
by Ikue Mori
Light and Shade
by Tim Daisy & Ikue Mori
Live at Big Apple in Kobe
by Mahobin
Live at Home Music Video Series [CAA-060]
by Ikue Mori
Momentum 1 : Stone
by Ken Vandermark
Momentum 4: Consequent Duos 2015>2019
by Ken Vandermark
Poster of the Catalytic Sound Festival 2022, Chicago
from Dan Grzeca
Sand Storm
by Kaze & Ikue Mori
Scrumptious Sabotage
by Ikue Mori & Maja S.K. Ratkje
The Nows
by Paul Lytton / Nate Wooley + Ikue Mori & Ken Vandermark